What a hot mess? With all those tattoos and nose rings on her body in this movie I am beginning to wonder if they are necessary, like seriously? To top it all off, this whore her character I mean was preaching? Preaching, I tell you. Oh Lordy Lord. In essence, she was over whorized if you ask me. Less is more. NO sire, I do not have night vision goggles. This site uses Akismet to reduce spam. Learn how your comment data is processed. Who Owns Da City. Author Nollywood REinvented.
Screenplay Ifeanyi Onyeabor. Our Rating. Audience Rating. Rate Here. What's your reaction? About the Author. You might also like. If Tomorrow Never Comes is the journey of a girl that's told in hindsight. Hence, from the beginning we at least have the consolation that even if it is a series of unfortunate events at least it ends well. The girl was found dead, taken to the hospital, [ The movie is produced by […].
The Cursed One is an upcoming film from Zissou Pictures which focuses on vulnerable children in Africa, who are often accused of witchcraft in their communities. The movie is directed […]. Leave a Response. Newest Trailers. View All. Most Recent. There are no upcoming events. Interestingly, they could not even create an interrogation room for Tony Megabush.
And what were the reflector vests hung over the chairs meant for? It was obvious they had just been dumped there as props. Almost each scene involving Nana Kojo and Jack Kente seemed to be crowded. The director, Ifeanyi Chukwu, did not do a good job at utilizing space and actors. In an attempt at creating scenes to fulfill the impression that drug barons are constantly surrounded by women and bodyguards, they were simply unleashed on set; a set which in itself was small.
Perhaps a better location and even still the use of multiple locations might have helped. Omar 1st is known to like flashy dressing, even in real life.
I believe he was more than thrilled to be costumed in the long trench coats, hats, scarfs and heavy suits; forget the fact that the setting was in Ghana…a very warm country. It is yet an example of the blind way Ghanaian movie makers copy from Hollywood.
The drug baron in the US or Russia will wear lots of warm clothes, even fur coats. I am not sure if there are any known drug barons here and how they dress but it simply did not cut with me.
Nana Kojo also was clothed in all manner of fancy clothes. For a while one will think these are barons based in Jamaica, Siberia, New York or some other place far away.
Point is, it is an unnecessary prop since the hard hat was not needed there. And did Kofi Adjorlolo have to put a star-shaped nose ring? Totally out of place, methinks. I think HM Films over-did it here. One memorable effect was when two pushers sensationally jumped and leaped over an on-rushing Mercedes Benz. I mean, it was almost clownish if you ask me. I agree. HM Films tries to make us all see that these drug barons were technologically savvy.
But which techno savvy person uses an ear piece with a cord when there is Bluetooth technology for example? And worse, almost everyone of Jack Kente and Nana Kojo and all their men had dangling ear pieces. I mean how!! One thing worth commending HM for was their success at getting the Air Force to release one of their few choppers for the movie. I would not be wrong if I said ideally the chopper should not have been in the famous camouflage of the army, would I?
So now they could not hide the military colours but could they not have avoided letting us see the Army uniform of the pilot? The main cast performed well. David Dontoh, Fred Amugi and Ekow Smith-Asante had tremendous experience on stage before moving to the silver screen and they are no doubt very good actors. Same goes for the aging George Williams. Martha Ankomah, I have said before, seems to be in too much of a rush to become a star.
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