Peter 's Basilica in the City of the Vatican , and be the first contemporary artist to exhibit their works in the Roman Forum , among other places of the capital Italian. A few years later, Deredia began to carve portraits in pieces of wood and stone, with the support of the artistic workshops of the Castella Conservatory, located in Barreal de Heredia. Shortly afterwards he focused his attention on the development of organic forms and pre-Columbian art.
It is at this time that he graduates from high school and begins to frequently visit the Faculty of Fine Arts of the University of Costa Rica.
In , the Italian government promoted a competition aimed exclusively at foreign students, where a 7-month scholarship would be awarded that would allow the chosen one to learn the techniques of making marble in the city of Carrara , Italy. Deredia was, eventually, the chosen one. In this way, Deredia left in October of the same year with his wife, Giselle Zamora. While in Italy , Deredia had the opportunity to observe in person the works of different Italian artists , studying and drawing for a long time works by Michelangelo , Gian Lorenzo Bernini , Filippo Brunelleschi , among others.
When the time of the scholarship ended , Deredia decided to stay permanently in Italy so that he could dedicate himself fully to sculpture. In this way, he continued his studies at the Carrara Academy of Fine Arts , to learn the techniques of making marble and bronze. In the Palace of Fine Arts the opening of the exhibition "A genesis for peace" was held.
From that same year, and until the mid s , Deredia created works that were characterized by presenting rough features, of howling figures. These works most of all reflected senses of unease, anger and uncertainty.
With them, Deredia wanted to show a "Latin American footprint". In , the Italian government promoted a competition aimed exclusively at foreign students, where a 7-month scholarship would be granted that would allow the winner to learn the techniques of marble making in the city of Carrara, Italy. Deredia was, eventually, the chosen one. While in Italy, Deredia had the opportunity to observe in person the works of different Italian artists, studying and drawing the great works by masters Michelangelo, Gian Lorenzo Bernini, Filippo Brunelleschi, among others.
When the time for the scholarship ended, Deredia decided to stay permanently in Italy to fully devote herself to sculpture. In this way, he continued his studies at the Academy of Fine Arts of Carrara, to learn the techniques of sculpting marble and bronze. These work more than all reflected senses of discomfort, anger, and uncertainty.
When he obtained his Bachelor of Sculpture from the Carrara Academy of Fine Arts, Deredia decided to study architecture at the University of Florence, from to The years lived in Florence allowed him to awaken new stimuli that changed his approach in regards to artistic work, thus deepening the Renaissance period.
The pre-Columbian spheres also influence the sculptor, causing him to focus the attention on the forms and the material used in them, in addition to the function and symbology linked to the figure of the sphere and the spheres themself.
The theme of motherhood is recurrent within the work of Deredia. Facebook , opens in a new tab. Twitter , opens in a new tab. Send an email. Join the mailing list. Youtube , opens in a new tab. Privacy Policy. Manage cookies. Site by Artlogic. Cookie options Strictly necessary Required for the website to function and cannot be disabled. Preferences and functionality Improve your experience on the website by storing choices you make about how it should function.
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