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Ode Desk Lamp. But at the same time they also appreciate that artistic attitudes are not something to be sidelined but to be involved in the conversations. TAKT too, allows us to play both protagonist and rationalist at the same time — artistic and industrialistic. It seems that many of your works are right next to something we know, but still manage to add something new and surprising that makes us look at, for example, a table in a new way?
Is it very conscious and how do you work with it? It cannot be prescriptive. We approach all projects with a sense of naivety. We are duty-bound to absorb knowledge, be curious and inquisitive. To answer your question directly can be difficult because if you say you find something new or surprising in the work, it is more often than not, a reflection of yourself — you see something that you want to be, and it is often something others cannot see.
To allow this self-reflection to be played out means that our work has to be open to interpretation. The very things you like about the table, we are unconscious of when designing it. If we were, probably you would not like it as much.
What does it mean for you to design for industrial production, and how do you work to ensure a high quality and craftsmanship? Wireframe Sofa Group Herman Miller.
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Lino Chairs Herman Miller. Lino Stool Herman Miller. Contrasts, and holding them in creative tension, define the work of Sam Hecht and Kim Colin. Shop Online Find a dealer Showrooms.
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